Sexual Transgression in Monster and Vampire Movies Essay

Sexual Transgression in Monster and Vampire Movies Vampires, not only lurking in far away lands such as the renowned Transylvania, but also have been said to lie in the deepest recesses of the human psyche. Its home, not a fortified castle guarded by the children of the night, but the realm of the sub-text, guarded by endless narratives. Each, a new bread in themselves, having represented different arenas in the human social order one thing remains true in all the Vampire narratives, they always have something to do with the idea of a being, or way of being, that literally lives off another. What follows, are accounts by various authors on the subject of the vampire myth and ledged, its place in†¦show more content†¦Taboo because this ‘lust’ (although not necessarily for blood) lies within all of us, to which we can all gaze at in vampire films. Perhaps because it is said that in the hierarchy of society, at the top is always the white, male, heterosexual father, but no matter what hold they have over the peo ple below them i.e. women, children, gay, black, Jew or any other, with male sexuality, a true representation is struggled to be achieve so the vampire expresses the profound contradictories of the cultural construction of heterosexual masculinity. If ‘society’ resides in moral order, in marriage, in the unemotional, unerotic workplace, then it has no place for driving randiness and uncontrollable priaplism, themselves conceived as the nature of male sexuality.† (Dyer, 12) If this is struggled to be seen in Dracula himself, then the same understanding is also encoded in the narrative. Looking at Mina who is engaged to be married, and her friend Lucy, who wishes it were possible to marry three men and is clearly sexually active; through the course of the film, we see that in each of them there are polarised fates. For Lucy, she turns into a vampire bloodsucker and dies in a horrific blood bath for her sins, one might argue. Mina on the other hand, who is due to getShow MoreRelatedEssay on Buffy the Vampire Slayer5067 Words   |  21 PagesBuffy the Vampire Slayer Mentors feature prominently in the Gothic genre. From Dr Van Helsing in Bram Stokers Dracula, who leads the young heroes into their quest to annihilate the Count, to Rupert Giles, the Watcher in Buffy the Vampire Slayer, older and more experienced adults have provided essential guidance for the younger protagonists of the genre. The differences in media of expression and the subsequent adaptations from novel to television series has not affected the presence of this